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1 | [Because knowledge to be "real" or be "live" in the physical | ||
2 | brain ("known" as opposed to merely "imaginable") it has to | ||
3 | be a generator of behaviors; which means it has to be a | ||
4 | physical form that has energy metabolism in order to satisfy | ||
5 | its computational needs; but of course not its own cell | ||
6 | membrane; but it does have its own pure-informational forms | ||
7 | of membranes] | ||
8 | |||
9 | |||
10 | |||
11 | |||
12 | Erlang-style message-passing; such a specialist-y thing and | ||
13 | yet it's the simplest kind of structure; it must exist in a | ||
14 | thousand places; there must be a hundred apt analogies; | ||
15 | culture and human society together form a more robust | ||
16 | version of the same structure; but it is only one thing and | ||
17 | that is an algorithm, also known as a program, or a | ||
18 | communication of the most powerful sort that is possible | ||
19 | between human beings; and it is one precise algorithm that | ||
20 | has been mathematically identified, broken down into its | ||
21 | constituent axioms like a protein into its originating DNA | ||
22 | code points ("up to isomorphism"... it's such a powerful | ||
23 | concept...), by the Erlang literature. And the reason for | ||
24 | all that is that it is the foundation of stability of | ||
25 | long-running "autophagic" distributed systems; I call them | ||
26 | "tissue" systems because the cells of a living tissue | ||
27 | replace themselves similarly. | ||
28 | |||
29 | |||
30 | |||
31 | |||
32 | Like why would you put literal death into the movie what a | ||
33 | fucking downer, it doesn't help how he ended up unlike | ||
34 | Michael Jackson where it works -- like Man in the Mirror | ||
35 | really works now in retrospect. Robin Williams went to | ||
36 | Julliard which means he was pretty well socially integrated | ||
37 | doesn't it so maybe those movies sucked for a reason. | ||